In motion account terminology, a montage (from the French for "putting together" or "assembly") is a blur alteration technique.
There are at atomic three senses of the term:
In French blur practice, "montage" has its accurate French acceptation (assembly, installation) and artlessly identifies editing.
In Soviet filmmaking of the 1920s, "montage" was a adjustment of juxtaposing shots to acquire fresh acceptation that did not abide in either attempt alone.
In classical Hollywood cinema, a "montage sequence" is a abbreviate articulation in a blur in which anecdotal advice is presented in a abridged fashion.
There are at atomic three senses of the term:
In French blur practice, "montage" has its accurate French acceptation (assembly, installation) and artlessly identifies editing.
In Soviet filmmaking of the 1920s, "montage" was a adjustment of juxtaposing shots to acquire fresh acceptation that did not abide in either attempt alone.
In classical Hollywood cinema, a "montage sequence" is a abbreviate articulation in a blur in which anecdotal advice is presented in a abridged fashion.
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